Words like 'fantastic' and 'brilliant' are used all the time in our 'overcelebration of underachievement' culture. When a really high quality production of really demanding material ike this comes along, there are no words left. But anyone who performed in that production will tell you, it was a class act. I loved it. The unreal chemical beauty of Candy, the real beauty of Margot/Guinevere, the eco-warrior spiritual beauty of Elaine in her wasteland, the joy of the real Joy (when she's finally found) were all there. The quiet dignity of Sir Lancelot, the inarticulate but rugged presence of Owain/Arthur (the king of the streets), the tormented magic of Merlay/Merlin, the etherealism of the Lady of the Lake, the fabulous fury of the rioters, the fraught parenting of Jade and West, not to mention the convincing political scheming of the latter in the legend and in the school and of course the old school Headmaster, out of his depth: all were there in bold profusion. And many other performances and touches too numerous to mention here. And a genuine 'company' spirit with everyone putting heart and soul into the ensemble. Why oh why do we only get a first night? It was a terrific first night but by the third night it would have been flying.
If you were in it, or saw it, and read this, let me know what you thought here.
A bard on the wire, a voice in the wilderness, a home page for exiles trying to get home. Everybody is an exile. Maybe artists just realise it. "Like a bird on the wire, like a drunk in a midnight choir, I have tried, in my way, to be free."
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