In AD 60, at the time of Boudicca's revolt, the Romans slaughtered the druids, unique to Britain, on their holy island of Mon (modern Anglesey). Mon (Roman Mona) was the druids' stronghold and the druids gave the British Celts their only shared sense of 'Britishness' . They were otherwise a collection of warring tribes, easy to divide and rule, initially as client kingdoms. Destroying the druids and their unifying spirit - which Boudicca mobilised into an actual British army of united Eastern British tribes - was key to Roman Imperial annexation of Britain.
The legend of King Arthur is an enduring and ever-developing expression of that Celtic Britishness through many centuries, two different faiths, two different genres (mythology and romance) several invasions, different ethnicities and languages not to mention transmutations through Brittany and Normandy into the whole of Northern Europe and back to Britain form Europe after 1066 and from Tudor Wales after 1485. It has a reality beyond reason and historical intellectualising. In a way it is a phantom but as CS Lewis said no less real for that.
Besides, legends have to start somewhere. Real people got killed. As with the druids, behind the mists of history, there was blood on the corn.
A bard on the wire, a voice in the wilderness, a home page for exiles trying to get home. Everybody is an exile. Maybe artists just realise it. "Like a bird on the wire, like a drunk in a midnight choir, I have tried, in my way, to be free."
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April 25, 2024
Blood on the Corn : from King Arthur and Me - The Opera
Labels:
Anglesey,
Boudicca,
Celtic Britain,
Drustan,
Essylte,
Gwenhwyfar,
King Arthur,
Mon,
Mona,
Rap,
The Druids
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