Genesis of A Church, Fring, 1330 AD
On this higher ground
Let us house an altar
Where the Word may resound
Through time, prayer and psalter.
On this heavenly spur
Let us grow a tower
Where the great stir of Easter
May bud, leaf and flower.
He cam also stille
Ther his moder was
As dew in Aprylle
That fallyt on the gras.[1]
Defeats, factions, debts,
A weak tyrant king’s
Gone the way of all flesh
Burns for higher things[2].
In these emerald trees
Lifting monks’ eyes above
Earthy labour, dis-ease,
Let us sing divine love.
He cam also stille
To his modres bowr
As dew in Aprylle
That fallyt on the flowr.
In these sandcastle days,
A boy on the throne[3],
Let us hold fast and raise
Firm foundations of stone.
Let here be Light
To summer the heart
Through spring, heyday, fall, blight,
Candling the dark.
He cam also stille
Ther his moder lay
As dew in Aprylle
That fallyt on the spray.
Let here be stillness
On strips, hill, vale, farm,
Green pastures and waters
That flow like a Psalm.
Frea’s[4] folk, we are grass, bone,
We come to pass;
But soul-fashioned stone,
We build to last.
[1] The refrains in italics are from an anonymous mediaeval lyric about the Annunciation.
[2] Edward II, murdered at Berkeley Castle in 1327, his reign defined by usurping nobles and humiliating defeats in Scotland.
[3] Edward III, heir at 14, 18 when he assumed direct control in 1330.
[4] The place name Fring is according to the ONC “probably ‘ingas’ (the settlement of) the family or followers of a Saxon named Frea.” That his name may be a nod to the Norse goddess Freya (from whence ‘Friday’ ‘Freya’s day) is a poetic reminder that churches were typically built on sites sacred to earlier faiths. The beautiful natural setting on a low hill overlooking a timeless rural England is strikingly numinous.
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