A bard on the wire, a voice in the wilderness, a home page for exiles trying to get home. Everybody is an exile. Maybe artists just realise it. "Like a bird on the wire, like a drunk in a midnight choir, I have tried, in my way, to be free."
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February 01, 2012
Grandfather Christmas
Horse-sensible and risk-foolish,
A gold-domed Grandfather Christmas
Stocking my boyhood with footballs
While fagging yourself to untipped death,
You forged your family chain of shops
Like a rosary of straightness and self-belief
Against the odds, as true to your Book
As your working day was long.
Note: There comes a point in your life when you start to look like your grandfather. Or even your father's grandfather. I remember all these domed patriarchal heads in a permanent blue smoke of family gatherings, sounding off at the world in West country or Welsh accents, Judges and Kings. They grow more like me every day. The caption describes Wellyn, my Welsh grandfather,who was a bookmaker, in this extract from a poem called 'Llewellyn the Great'.
The painting, by Howard Hugh Scott Thomas, notices the bald dome looking out from behind a curtain too, though in a very different context. Howard did my lights up in Edinburgh last summer and watched me sweat blood onstage. He photographed me doing it and he filmed me doing it and finally he painted me doing it. That's him at my shoulder, anxiously overseeing the bard's artistic progress and/or crucifixion. Get those feet dancing, Granddad.
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