Showing posts with label Edith Cavell. Show all posts
Showing posts with label Edith Cavell. Show all posts

July 18, 2025

Siegfried Sassoon


 ⁨@PeacocksTaleMusic⁩  Wandering around the churchyard of Mells (an idyllic Somerset village near Frome) we found the grave of the great First World War poet Siegfried Sassoon so in the presence of such integrity, I ransacked my memory for this, a war poem I remember being printed incorrectly in our O level history book and corrected in an addendum. The General Good morning, good morning the General said When we met him last week on our way to the Line. Now the soldiers he smiled at are most of the dead And we're crying his staff for incompetent swine. He;s a cheery old card, grunted Harry to Jack As we trudged up to Arras with rifle and pack. But he did for them both with his plan of attack. The video and stills from Mells church are framed by the beautiful Stations of the Cross carvings at Frome St John's and the music (our homage to Edith Cavell) opens out into a general meditation on the First World War.

November 24, 2019

It All Comes Out In The Wash by Bardonthewire ( solo album released)

Press Release

This is my arty arty solo album - poems set to Norfolk soundscapes,  including an epic musical account of the 1819 Thunderstorm in Sedgeford (performed in Sedgeford on its bicentenary last July); some vistas of Norfolk autumn; a Greek Choral Ode; comic songs; some elegies; my long delayed Welsh Rock Symphony (all four moments and a coda!!!!)  and a charmingly set Sedgeford Christmas poem and a charmingly set satirical one. 

By the end, we're a long way from the Wash in my Welsh/West country boyhood but by then it should be clear 'Wash' is a metaphor as well.

This digital album is available online only on this link - https://bardonthewire.bandcamp.com/album/it-all-comes-out-in-the-wash-album
Sleevenotes below.

Very congenial listening at this time of the year (autumn into winter/Christmas) I've let myself go wherever the words took me, boldly going into soundscapes and scores and whatever else is needed to bring the poems alive for the listener as an audio experience. Lots of experimental sound poem things including the finally realised ambition of a full blown rock symphony (tracks 13-16).

The title is fairly geographical for the first 'side' (tracks 1-11, though beginning to wander across Norfolk from the Wash by the end) celebrating and enjoying the country of Norfolk where I've lived for the past 40 years but broadens after that to include all the stuff pumping out from deeper levels of memory and experience. And in general to indicate the wash of an artist's palate, splashing about all over the shop. 

Cover pic by Bhas Allan