Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts

July 18, 2025

Siegfried Sassoon


 ⁨@PeacocksTaleMusic⁩  Wandering around the churchyard of Mells (an idyllic Somerset village near Frome) we found the grave of the great First World War poet Siegfried Sassoon so in the presence of such integrity, I ransacked my memory for this, a war poem I remember being printed incorrectly in our O level history book and corrected in an addendum. The General Good morning, good morning the General said When we met him last week on our way to the Line. Now the soldiers he smiled at are most of the dead And we're crying his staff for incompetent swine. He;s a cheery old card, grunted Harry to Jack As we trudged up to Arras with rifle and pack. But he did for them both with his plan of attack. The video and stills from Mells church are framed by the beautiful Stations of the Cross carvings at Frome St John's and the music (our homage to Edith Cavell) opens out into a general meditation on the First World War.

March 21, 2025

I Sing Of A Maiden: Magical realism from the 14C


I sing of a maiden That is makeles; King of all kings To here sone che ches. He cam also still There his moder was As dew in Aprille That fallit on the gras. He cam also still To his moders bowr As dew in Aprille That fallit on the flower. He cam also still There his moder lay, As dew in Aprille That fallit on the spray. Moder and maiden Was never non but che; We may switch a lady Godes moder be. In celebration of spring, equinox and Annunciation, and with the magic of the Middle English poetry as real as the real is magical, we sing you our setting of this exquisite 14th century lyric. Like our local church, this lyric is 700 years old and still singing. We sing it in a 14th century style and recapitulate in a 20th century version marking the genesis and septuacentenary of that (and other such) church. We wrote the Early Music style tune on the harmonium it's performed on and the Modern rock tune is built on an arrangement of the famous Jack Bruce bass riff on Cream's "Sunshine of your Love". The paintings are Fra Lippo Lippi's Madonna and Child, Far Angelico's Annunciation and Gustav Klimt's Mother and Child.

February 06, 2025

PREMIERE The Full Rabbie (International Burns Nacht 2025) with the Ecclefechan T...


PREMIERES 7.30 PM TONIGHT. The Full Rabbie (International Burns Nacht 2025) with the Ecclefechan Tarts Orchestra and Choir. ..Burns Night January 25 January 2025. A celebration ( in Norfolk by four Sassenachs and two Germans) of the universal genius and geniality, in poetry and music, of Scotland's national poet Robbie Burns. Featuring  a feats of friendship and a banquet of traditional Scots fare, Selkirk Grace, The Address to the Haggis, The To the Immortal Memory of Rabbie Burns Lecture, the after dinner prayer,  My Love is Like a Red Red Rose, To The De'il, Elegy of the Year .. (updated to 2025) and other poems, Auld Lang Syne and other songs in the spirit of the great Radical Republican European Enlightenment Scots Thinker and Romantic. Lang may yer lum reek.

November 28, 2024

The New Album in 360 seconds



The New Album in 360 seconds  Each track has a dedicated film, lyrics, full track notes, info etc etc.

  • This is an album we've made to celebrate our Sapphire Wedding. The concert of British folk and Americana we'd invite you all to if we were 45 years younger! If you have any questions or comments about the music, you can submit them as you listen and we'll get back to you at the end. Or please feel free just to listen, let the music do the talking and enjoy. 
    FEEL FREE TO LISTEN TO ANY OR ALL OF THE ALBUM AND WATCH THE FILMS BEFORE DECEMBER 1ST but we do hope you will also join our get together for the Listening Party on the day itself. All welcome. The more the merrier!

     

  • Streaming + Download 

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Download available in 16-bit/44.1kHz. 

      £7 GBP  or more

     

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November 01, 2024

Rise of an April Leaf



The rise of the title implies the fall and in this poem the leaf at its unfurling nervously considers its mortality and all the things that can go wrong. The second voice representing all the things urging it on - sun, spring etc - riffs on the old moral 'he who saves himself loses himself'. We've recorded this poem as spoken word before under the title 'Bringing in the May' but this musical version will represent the vegetation stage in our emerging "A Love That Involves Evolution" sequence, which begins here -  peacocks-tale.bandcamp.com/track/invocation-a-love-that-involves-evolution

lyrics

Puckered,
Helpless,
Grizzly,
Clenched
Ugly as a newborn face;
Scared to let myself go:
And where can I go
Except towards death?
And what if I grow
In the wrong directions,
Abnormal or twisted,
And how do you do it anyway?
Thoughts crumpled,
Feelings crushed.
Perhaps I’m not even a leaf?
Just scared to stand out
From the crowded branches?
So what am I? – yellow?
Or just painfully shy
Soft virgin green
Closed against the urging sun?
Do I have to do anything?
Will I just become – me?
Or do I have to force myself out?
Safer to sit tight;
But then I get scared
The rest of the branch
Which had seemed
So wooden
Is unfolding faster;
Best to let go then;
But what if my flower
Hardly out of bud
Gets pollinated?

The May blossom light
Of the still warm evening;
The birdsong high
Above distant traffic:
The Sun become mild
And expansive, beaming:
The breathless wind:
All give their answer:
He who saves his dances

Will never be a dancer.

© Gareth Calway and first published in 'Encounter' Magazine in April 1987.

credits

released October 29, 2024
Maz - voice, acoustic guitar
Gaz - voice, bass guitar, drums

license


May 07, 2018

1068 and All That - first stop Bury Saint Edmunds Arts Festival May 23

The Penland Phezants bring you "As Free As The Waters That Flow Through The Fen; A Very English Resistance: The True Story of Hereward The Wake."


950 years ago, Hereward the Wake came home (from outlawry, exile and a gallery of bold and magical adventures in Cornwall, Ireland and Flanders) as a famous warrior and the leading military genius of his age. He was no Little Englander, speaking several European languages and with experience of leading several foreign armies, and as at home with Danes as with Saxons: his name means 'Head of the army' in both Danish and English. But he did not come home to rest on his laurels. He came home to lead the growing English Resistance against the Norman Conquest. Hereward first avenged the Norman murder of his brother and theft of his manor in his home town of Bourne in Lincolnshire, then established himself in the Isle of Ely alongside the Earl of Morcar (the dead King Harold's brother) and King Sweyn of Denmark, repeatedly outwitting a desperate siege of the Isle personally led by William the Conqueror himself. 


So successful was Hereward's defence that William, incredibly, was on the point of offering peace terms when Hereward was betrayed by his erstwhile military allies, the Abbot and monks of Ely Abbey. The ever-elusive Hereward escaped to further historic triumphs against William's armies at Burgh (Peterborough) and the later rearguard victories against all odds in Fenland, Lincolnshire Greenwood and the ancient Saxon forests of Northamptonshire.


Gareth Calway's 90 minute narrative tells the full story, from the magical folk tales of Hereward's early continental career to his historic defence of Saxon England. Based closely on the honest Latin chronicles compiled by 12C monks, this historically-based narrative gives full rein to the Freeborn English humour and derring do of a real life Robin Hood. (The Robin Hood legend borrows much of the spirit and many of Hereward's real-life adventures.) 

The compelling narrative is given a period flavour by harp music composed and performed by Welsh Romany-influenced harpist Vanessa Wood-Davies and a folk perspective by a sequence of new ballads written by poet Gareth Calway and folk musician Andy Wall.  The Penland Phezants' stirring performance of these is a particular highlight of and perfect fit for this great English folk tale.





Starts: 8pm
Tickets: £10, £2 discount off top price band for Festival Friends, purchase ten or more tickets in one transaction and save £1 per ticket 
Venue: Station Hill Social Club, Bury St Edmunds

October 14, 2013

Stand Up Poet at Elsing Oct 26


Review by Tim Chipping published in The Dereham Times

From Creation To Cromer by Gareth Calway.

Elsing Village Hall, Saturday 26th October.

Mention poetry to most people and the reaction usually garners a whole range of misconceptions and prejudices towards the form. Why does the general public have such a problem with the “P” word? It is, after all, only an imaginative arrangement of words making use of the amazing diversity of the English language, often with some sort of rhyming scheme and definitely embracing a strong sense of rhythmic flow; in fact all the elements found within a pop song, but without the music! So why is poetry seen as being difficult to comprehend or dull and irrelevant to today?
It was therefore possibly a daring idea to promote Gareth Calway’s new show at Elsing Village Hall, From Creation To Cromer, as a “stand up poetry performance” but this was certainly no dry monotone recitation of dusty old verse. The idea behind the show was to start at the beginning; the beginning of everything in fact and to take a journey through time from the first days of creation up to living in Norfolk today.
The show started with a sequence of poems and spoken word pieces centred on the first six days of creation. The poem “Comet” likened the birth of the universe to a sort of cosmic “fart” and saw Calway speaking whilst circumnavigating the hall on a trajectory representing the flight path of his subject. “Animal” was performed on all fours as Calway took on the personas of the creatures he mentioned, even at one stage howling wolf-like at the moon. By the end of the first half the audience were certainly in no doubt what “performance poetry” entailed and responded with appreciative and enthusiastic applause.
After the interval the advance through time continued encompassing a diverse range of themes, mostly with a Norfolk slant. Boudica’s uprising against the might of Rome was portrayed as a punk rock band on tour. The more personal pieces of poetry were introduced with wry and sometimes moving anecdotes and included such diverse subjects as studying at UEA in the 1970s, observations upon the game of football (Calway was club poet for Bristol City FC) and the profession of teaching. Drawing the evening to a close, Calway's love of Norfolk was evident through poems about Sedgeford, Kings Lynn, Walsingham and Great Yarmouth. The poetical journey finally arrived at Cromer upon a stormy night when Fairport Convention played at the end of the pier. Calway’s painstaking observation manages to capture the feel of the county in his poems, from its rural depths to the bright lights of the seafront, evoking that strong sense of place which connects the human spirit to the landscape. Poetry; dull, boring and irrelevant? Not when it’s impassioned, witty, nostalgic and poignant writing performed with a total belief in every word.


Dereham Times



The pics shows the poet shortly after the Himalayan-recorded tantric horn making the OM at the start of 'Creation' - 'Creation' is a one-man theatre sequence exploring the first six days of Creation in which (among other things) I orbit like a comet, wriggle like a worm and howl like a wolf on my way to the playing fields of Eden for a sequence of football and teaching poems, all nearer hell and purgatory than heaven but with glimpses of it;
one of Tim's Biblical signs
and finally the poet in media res The Clash Between Boudicca and Rome, an exhortation that Norwich gets a statue of Norfolk's ancient queen not just another 2000 years celebrating the Roman version. Leading into an odyssey of stand up poems from Celtic Norfolk through West Norfolk to Yarmouth, the North Sea - that seaside meeting of sandcastle holiday impermanence and the eternal fathomless ocean - and finally Cromer. One man theatre/stand up poet/one man theatre/ stand up poet. It seems to work.

Particularly prized was the audience participation OM with which the show ended, and over which I pitched the final couplet of the evening. It put the Om into Home.


AS FEATURED ON FOUR COUNTIES RADIO SUE MARCHANT BIG NIGHT IN SUNDAY OCT 20 33minutes in... (Steve Hackett was my warm up man and the show is rooted in Genesis...what can it all mean?)

http://www.bbc.co.uk/programmes/p001d7sb


October 26 is the day once believed to be the first of Creation (Oct 26 4004, to be precise, and they had calendars which worked it all out.) So, like Creation, I'm going to start from there and see where it goes.

I’ll be ranging through my seven published books of poetry – by heart and off the page – including the ballads and stories that have proved popular around the folk clubs. A chance to hear how the lyrical moments fit together into some kind of overall vision. And a no-repeat guarantee: Elsing has heard none of these – and nothing like these – before!

PRESS RELEASE

FROM CREATION TO CROMER

One man theatre/ poetry performance at Elsing Village Hall Saturday October 26


PRESS RELEASE
FROM CREATION TO CROMER

One man theatre/ poetry performance at Elsing Village Hall Saturday October 26

There are no lonely, wandering daffodils or dust-dry crossword puzzles here, only insightful, impassioned, witty and poignant writing which draws on our collective experiences of living in the modern age. Of Gareth Calway, Ted Hughes (Poet Laureate until his death in 1998) said, "wholesome, strong and to my tastes, simple in the best way, the real way"; The Guardian thought his ‘Tales Out Of School’ ‘very funny...a metaphor for a country in decline’; our very own EDP (reviewing his Norfolk and Norwich festival show House on the River) proclaimed Gareth “an eloquent poet,” The Scotsman described his performance of King Arthur’s legend at the Edinburgh Fringe as “slam poetry with a patriotic twist..... packed full of boyhood glee’ while Three Weeks (the Fringe festival review) called his punk-rock take on Norfolk’s warrior queen Boudicca ‘impassioned ruthless and funny’.
Of From Creation to Cromer Gareth says, ‘This is my first one man theatre/poetry show since I took Arthur and Boudicca to the Edinburgh fringe in 2011 and I’m really excited about premiering it at Elsing Village Hall, where Tom and Harry (Gareth’s play about Anne Boleyn and then men in her life) played to a full and appreciative house last May.
http://www.derehamtimes.co.uk/news/review_lots_of_history_as_cast_serves_up_a_real_treat_in_the_village_hall_1_2228196)
After a series of successful and enjoyable collaborations with actors and musicians across Norfolk and Cambridgeshire, and many well-received individual poems performed at Norfolk folk clubs like The Wolf, Gin Trap Folk, Meet In The Hedge and Folkspot Radio, I want to bring all the music and theatre of words back home to the single poet on stage, acting out his stories - and fitting the heightened moments each individual poem gives into an overall vision.’
‘October 26 4004 was once believed to be the first day of Creation. You could say ‘From Creation to Cromer’ sets the passing fairs of time represented by the sea front against the metaphorical eternity of the North Sea. But not always as seriously as that sounds!
Tickets are on sale now priced £6 advance from The Old Chapel, Elsing, Tel. 01362 637331 or from Sounds Music, Dereham. Entry will be £7.50 on the door. The Mermaid Inn will provide a bar which will be open from 7.45pm when the doors open. Performance commences at 8.30pm.

May 06, 2007

Sheer poetry!!!

Bristol City
Bristol City are promoted to the Championship.

Coca-Cola Football League One : Table
05 May 16:57



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