BBC Interview on Upload Sept 2025

https://www.bbc.co.uk/programmes/p08q3hsh 

Our BBC interview with Rob Jelly about the local stories we tell in words and music is broadcasting across the Eastern counties on Sep 25 at 6 pm, Sep 27 at 6pm and any time after that on the same link https://www.bbc.co.uk/programmes/p08q3hsh It's a lively, zany and altogether excellent weekly 2 hour show and we're chuffed to bits to have had a few creations on there in the last couple of years. But this is the BIG INTERVIEW.

New Dylan EP From The Peacocks!

We went to see "A Complete Unknown" in King's Lynn when it came out at the Corn Exchange. We went at noon to avoid the Bobomania, met a folk guitarist and Dylan fan we knew from a Folk Club in nearby Marks and Spencer's and, talking this as a surefire sign of how the town was embracing the film assumed the cinema would be full. As it turned out, we watched the film on an epic screen in a cavrounous empty space with two octogenarians and a carer. Not even the guitarist was there. It was however a superb film and the image of Dylan hurtling off on his motorcycle into an almighty fall at the end powered by all those brilliant Icarus songs soaring out of control and off balance along the edge of his life and apocalyptic times was unforgettable. We came home, got out our old Dylan vinyl from the 1962-1966 period, played them for days and then started covering some of our favourites. In all the hype, the genuine race/generation/culture wars, and all the philosophical swerves he made to try and stay on his own course, you can forget what a skilled guitarist and powerful voice he was and what tremendous songs they were. And what a performer, standing alone up there holding the zeitgeist like a note and later with a rock band in front of a crowd not always on his side. Th e first three of the songs on this album are a reminder of the quality of that songwriting. The fourth is some counter-genius female context to all the lone wolfing.

credits

released September 18, 2025

Lead vocal and acoustic guitar (fingerpicking on track 1)- Maz
Bass, foot drums, overdubbed snare/common flute) - Gaz.

In deference to the folk vibe, most of this is the two of us live and acoustic as seen in the films.

It Ain't Me Babe

One of the many impressive things about this 1964 Dylan classic (from the album 'Another Side of Bob Dylan') is the way the fifth line changes key on the guitars but stays the same on the vocal. So you get a very pretty and poignant change of mood but no change in the determination of the statement. Yet the song is as tender as it is (characteristically) caustic despite its broadside of complaints and triumphant rejection in the chorus. Not a song the recipient would enjoy, we think. A joy to sing and play though.

WRITTEN BY: BOB DYLAN
Go ’way from my window
Leave at your own chosen speed
I’m not the one you want, babe
I’m not the one you need
You say you’re lookin’ for someone
Never weak but always strong
To protect you an’ defend you
Whether you are right or wrong
Someone to open each and every door
But it ain’t me, babe
No, no, no, it ain’t me, babe
It ain’t me you’re lookin’ for, babe

Go lightly from the ledge, babe
Go lightly on the ground
I’m not the one you want, babe
I will only let you down
You say you’re lookin’ for someone
Who will promise never to part
Someone to close his eyes for you
Someone to close his heart
Someone who will die for you an’ more
But it ain’t me, babe
No, no, no, it ain’t me, babe
It ain’t me you’re lookin’ for, babe

Go melt back into the night, babe
Everything inside is made of stone
There’s nothing in here moving
An’ anyway I’m not alone
You say you’re lookin' for someone
Who’ll pick you up each time you fall
To gather flowers constantly
An’ to come each time you call
A lover for your life an’ nothing more
But it ain’t me, babe
No, no, no, it ain’t me, babe
It ain’t me you’re lookin’ for, babe
Copyright © 1964 by Warner Bros. Inc.; renewed 1992 by Special Rider Music

Girl From The North Country (Dylan)

From the 1963 album "The Freewheelin' Bob Dylan" and later re-recorded with Johnny Cash for the back to country/ acoustic/no more hippy "Nashville Skyline" album in 1969. ( Reprising the infamous 'Judas' in the other direction in 1965). We both bought Freewheelin' as teenagers, our first Dylan album, probably because of "Blowin' in the Wind" but in this track the wind is not so much the divine one in Genesis as the heavy hitting one on the Canadian border. We started rehearsing this in the summer but recorded it as the season changed not so slowly into autumn, buffeted by winds and getting rapidly colder and darker. An early love song full of lingering emotion and regret, something of a Dylan genre by the time he'd added Suzi, Joan and Sarah to whoever this tenderly evoked North country woman was. It's a beautiful poem of pathetic fallacy, the oncoming winter and lost summer beautifully evoking a cherished but passed love, as well as being a damn good sound picture of that terrain and climate. We changed the line "many times I've often prayed" slightly to remove the redundancy.

WRITTEN BY: BOB DYLAN
Well, if you’re travelin’ in the north country fair
Where the winds hit heavy on the borderline
Remember me to one who lives there
She once was a true love of mine

Well, if you go when the snowflakes storm
When the rivers freeze and summer ends
Please see if she’s wearing a coat so warm
To keep her from the howlin’ winds

Please see for me if her hair hangs long,
If it rolls and flows all down her breast.
Please see for me if her hair hangs long,
That’s the way I remember her best.

I’m a-wonderin’ if she remembers me at all
Many times I’ve watched and prayed
In the darkness of my night
In the brightness of my day

So if you’re travelin’ in the north country fair
Where the winds hit heavy on the borderline
Remember me to one who lives there
She once was a true love of mine
Copyright © 1963 by Warner Bros. Inc.; renewed 1991 by Special Rider Music

Dodgy Bob of Houghton

https://www.youtube.com/watch?v=dpYbaw4g3X4

Robert Walpole (1676-1745) the Whig MP for Castle Rising (1701-02) and King's Lynn (1702-12 and 1713-42) was the first and still longest serving Prime Minister of Great Britain: 21 continuous years, 1721-1742. He also built and stocked with treasures one of the most palatial houses in England, that architectural wonder amid the fields and lanes of West Norfolk: Houghton Hall.