A bard on the wire, a voice in the wilderness, a home page for exiles trying to get home. Everybody is an exile. Maybe artists just realise it. "Like a bird on the wire, like a drunk in a midnight choir, I have tried, in my way, to be free."
Filmed on location on the A362 (from Frome, Somerset, to Corsley Heath) and Cley Hill in Wiltshire. The consummate British victory at Badon Hill is one of the only two Arthurian facts recorded in the Anglo Saxon chronicle as occurring around AD 515-8. (The other is his death at Camlaun around 537-9: both these historical facts are key moments in the legend but the rest is the stuff of Arthur Mee children's encyclopaedias, Celtic myth and glorious mediaeval romance.) It's very unlikely that Cley Hill was the historical Badon Hill but that's not the point about this or any other aspect of the legend: for me as a boy it was and that is Arthur's most potent (and super-real) realm. The town you see some 3 miles from the hill is Frome, where I grew up, learned about and enacted King Arthur, from which I used to hike to this summit and from which we bussed on this baking hot July day. The soundtrack is our own "Woke King Arthur" and William "Billy" Blake/Gustav Holst's "Jerusalem" from our album "King Arthur and Me: The Opera". https://peacocks-tale.bandcamp.com/al...
Wake me, wake me
He come out on top, he beat
Hordes of heathen, he pluck
Swords of lightning from the
Stone and rippling
BC AD 6 and 6/9teenth Century
Justice might and mercy king of all chivalry.
Wake me, wake me
He Arth and Ursus, he yoke
Rome and Logres, he ride
Wings and horses, he steal
Grails from Annwn as a
Norman knight a bird of prey an earthed angel tree,
Celtic god a Dark Age white horse galloping free.
Woke King Arthur
In the 20th
Century.
Wake me, wake me
He ever present, he a
Church-hilled dragon, he the
King of Europe, never
Heard of England, he a
Druid henge a hollow hill a forest a sea
British May King ever changing eternity.
Woke King Arthur
In the 20th
Century.
(spoken) You who think you defend
This lost land of Logres
From drowning migrants
For your offshore profits
You're not Arthur's Britons
Follow your money
GO!
He fights invaders who claim
Lost Land acres from the
Drowning migrants, for their
Offshore profits, he’s the
Lose yourself to save yourself they don’t want to see
Release the Pax Britannia brand of Arthur-ity.
Woke King Arthur
In the Twenty first
Century.
Wake King Arthur
Yeah
Wake King King Arthur
Yeah
Wake King Arthur
YEAH!
The rest is history, or Arthur Lee legend
A lost summer country hollow, an Inn,
The Green Man, cheering on a great British win,
An Avalon that isn't there in the morning.
A dream awoken to this light's cold day
Where in spite of my shin-struck wounded need
For thundering hooves in defence of these islands,
Thundering hooves in defence of these islands,
He doesn't come back. 'And he was never
Called Arturus Rex, whoever he was
And in some accounts not even Arthur
And he was never mediaeval and never a king.'
And who cares? Not Me. I stand on tis tumulus
Of boyhood, layers of chalk written on clay,
Craters and knolls, his monk-buried legend
Scarred in my flesh, his doubt-defying
Desperate defence of wonder (which
Is what he was) an earth ditch like mine;
His weapons, TOYS of tin and strapped wood and skin
Like mine, on a May hill that may have been Badon
And may have not, blades of peaceful grass troubled only
And not just now - by rain and ghosts
And a White Horse, God-large in memory,
God-large still.
And did those feet in ancient time
Walk upon England's mountains green?
And was the holy Lamb of God
On England's pleasant pastures seen?
And did the Countenance Divine
Shine forth upon our clouded hills?
And was Jerusalem builded here
Among these dark Satanic mills?
Bring me my bow of burning gold
Bring me my arrows of desire
Bring me my spear, O clouds unfold!
Bring me my chariot of fire.
I will not cease from mental fight
Nor shall my sword sleep in my hand
Till we have built Jerusalem
In England's green and pleasant land.
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