Showing posts with label Jane Austen. Show all posts
Showing posts with label Jane Austen. Show all posts

May 22, 2016

Bread or Blood - my EDP (Monday 16 May) SNL (May) and Lynn News Features about the 1816 Littleport and Ely Riots


Help yourselves! The Littleport and Ely Riots, 1816.


200 years ago, in the early summer of 1816, postwar England was alarmed by news of a revolt.  Not by revolt itself - in the uneasy decades following the French Revolution, England was used to that. But where it happened. The long-suffering, conservative rural heartlands of East Anglia.

It began with attacks on farm machinery in remote villages. Later, when the price of bread accelerated further, unrest took the form of attacks on property and persons in Bury St Edmunds, Norwich and Downham Market.

And, on 22 May 1816, it reached the quiet village of Littleport in Cambridgeshire. So dramtically did it do so - spilling over into the city of Ely the next day - that these 'Bread or Blood' riots are still being commemorated 200 years later.

Labourers had gathered for a Benefit Club meeting at The Globe. A wild night followed. The rioters attacked and burgled a string of (to them no doubt fabulously) affluent homes belonging to shopkeepers; an unpopular local magistrate (the Vicar of Littleport) who had earlier tried to read them the riot act; and gentlemen farmers like Henry Martin, a hated parish overseer and principal farmer of the district.  As early hours plans were made to invade Ely, another unpopular landlord-farmer was relieved of three horses and a wagon, which the rioters would weapon into an impressive rural 'tank'.

On May 23, this rustic army marched with its horse-drawn 'tank' to Ely, brandishing pitchforks, muck cromes and fowling guns; enlisted the aid of the locals and terrorised the millers, butchers and magistrates. They made the latter agree to their demands. When the mounted military was sent in to Littleport the day after, they took them on in an unequal battle and one rioter was killed.

Some 80 rioters were later tried at a Special Ely Assizes, preceded by a service at Ely Cathedral. Prebendary magistrate Sir Henry Bate Dudley - The 'Fightin' Parson' - drinking companion of a Prince Regent doing his best to singlehandedly bankrupt the country in his own personal riots of luxury, was given the sermon to preach. Not exactly on merit - Dudley was a comically incompetent preacher - but probably because he had led the dragoons in brutally 'pacifying' the disturbances. He chose as his text 1. Timothy 9 "The law is not made for the righteous man, but for the lawless and disobedient."

 5 Littleport men were hanged and 6 others transported for up to 14 years. Dudley declared that transportation on the long discredited hulk ships to New South Wales was a 'wise measure' for such men and was the hero of the hour, at least among those rich enough to raise a subscription of £179 13s 0d to thank him. The Judge - eager to downplay the hardships that postwar austerity was costing the poorest - alleged the labourers had all been in receipt of 'great wages'.

Yet throughout East Anglia, many were experiencing lengthy spells out of work or not employed full time. Families were susbsisting on oatmeal bread. And a warped system of poor relief meant that many even in full time work had to claim parish relief on top of their wages - just to survive.

During the war and now even more so after it, millers and farmers had been greedily pocketing the mismatch between wages (doubling) and prices (trebling). The war artificially stimulated production and prices, eating up the labourers' land - especially the commons - and his time - overworking all three. Now the boom was bust. Magistrates - clergymen and farmers - failed to intervene on the labourers' behalf; parsons preached the virtue of a poverty that enriched the landlords; and after leading the united country against a common 'Jacobin' foe, a gentleman-farmer's Parliament was passing new laws - Enclosure Acts, Game Laws and Corn Laws - in its own narrow class interest. On top of all this, half a million demobbed servicemen joined the post-war unemployed.

At Ely - as earlier at Norwich and Downham Market - agricultural labourers broke into mills and butchers and distributed food and money among the crowd.  They deemed the miller as big a rogue as the farmer, "for the millers raise the price by a shilling per comb, just as the farmer raised it 2d per stone."

The labourers' demands, punished as sedition by a political establishment fearing revolution (by judges brought in from outside) were heartbreakingly modest. For all the drunken unruliness, they merely extracted from intimidated local magistrates an agreement to do what the landed governing class, committed to a one-society Christianity, had once done for them.  Adjust the price of bread and the level of wages so that the latter could afford the former.

But, with Napoleon defeated, all out class war was the new 'spirit of the age.' Cobbett called it 'Scotch feelosophy' - after the Scottish economist Adam Smith.  We might call it the capitalisation of agriculture. The toiling hand was turned out of his master's house and left to fend for himself. Labourers' cottages were no longer a show of landed magnaminity but subsistence hovels thrown up as cheaply and nastily as possible. The stringent property laws were made more stringent. The harsh Poor Laws were made even harsher.

The old order was changing. Jane Austen's Persuasion (1817) presents a redundant baronet, perpetually admiring his reflection in mirrors and The Baronetage, urged by his agent to abdicate his country seat to a war-rich Admiral. Austen's novel implies that the heroic navy will become future and better guardians of the country - and of the heroine - but, on its opening page, condemns the consuming self-regard of the present.

The landed interest was now self-interest. The farmer's traditional guardianship of the poor had gone out of the window. As had - sometimes literally! - any property inspector from the government who tried to peg back the farmers' war wealth.

Much of the 18C had been the Golden Age of the agricultural labourer - and his swan song. Now the old peasant with common rights was part of a class war between capital and labour, a subsistence-wage labourer unless he augmented his income and diet illegally. (eg by poaching, which, under the new game laws, endangered his life, liberty and limbs.) The 'deserving' poor were now seen as the 'designing' poor.

All this enriched the farmer. At a huge cost. Quite a few live-in labourers in Ely and Littleport defended their masters against the agitators while only one live-in labourer in the whole of East Anglia joined them. But the majority, abandoned to self-help, helped themselves.  Greed had fatally divided rural England against itself.

Gareth Calway will perform his story about the riots, commissioned by the Ely Folk Festival and City Council and with ballads sung by Andy Wall, at the Swan on the River, Littleport May 22; Marriott's Warehouse Upstairs South Quay Lynn May 27, Sessions House Ely 17 June, Babylon Gallery Ely 28 June, Folk in a Field Festival West Acre (extract) July 2 and Ely Folk Festival July 10.  'The Ballad of Bread or Blood' is published in 'Doin different, new ballads from the East of England' (Poppyland). The riots' double centenary will be celebrated on Riot Day in Littleport on May 22 with Maypole Dancing, costumed guided walks, a re-enactment of the march on Ely, information collated and displayed, some descendants invited back from Australia. Relations of the hanged have been traced. A field theatre film to be shown; balladeers singing songs about the events and Morris dancing around the village. The Commoners Choir will be singing, local schoolchildren encouraged to dress up.

Gareth Calway




Suffolk Norfolk Life Magazine feature about the 1816 Littleport and Ely Riots

Regency England, 1816. "A mob of three thousand men assembling in St George's Fields; the Bank attacked, the Tower threatened, the streets of London flowing with blood."

Hardly 'Jane Austen' you might say. Yet the quote is from her novel Northanger Abbey. (publ.1817) Habeas Corpus was suspended the same year and Wellington - the 'victor of Waterloo' and future Prime Minister - required iron shutters (hence- 'Iron Duke') on his windows against the threat of mob attacks on his house.

The national debt stood at £800 millions; the expenses of Wellington's army of occupation and the extravagance of the Prince Regent was crippling the country. In Austen's Persuasion (1817), a redundant aristocrat 'retrenches' by leasing his estate to a war-rich admiral. In desperate reality, half a million demobbed servicemen, many without means of livelihood, returned to a country of rising unemployment. The authorities feared a revolution. They did not expect it in the conservative farmlands of East Anglia, where bread riots raged in 1816.

The Littleport and Ely Riots - demanding nothing more revolutionary than affordable bread and a 'living wage' to buy it - terrified the authorities so much that 5 Littleport men were hanged and 12 others transported for up to 14 years. Their crimes - aggravated burglary - were punished as sedition.

Ever since the French Revolution, those with something of England to lose had feared the poor taking it. But no matter how bad conditions got, the horny hand of rural toil was frozen in salute of the parson and the squire. Until a unique combination of old and intolerable new hardships forced that hand.

Unhealthy dwellings; low wages; the humiliation of having to claim benefit from the parish even when in full work; unemployment, the vicious damp climate of the fens; floods (at Littleport cultivation was 'extremely precarious') and diseases (when the floods subsided) were all too familiar.

But now an Indonesian volcano - killing 200,000 people - dispersed thick clouds from the Far East to the American West. Harvests failed and no sun shone. 1816 ('the year without a summer') is the worst in agricultural history.

War riches had fuelled a new loftiness and indifference from the labourer's traditional guardians, the farmers, an indifference piously supported by pastors and magistrates, and aggravated by the profiteering millers. Owing to the high war-price of corn, farmers got airs. They served port and Madeira at the time their employees were going short of a wheaten loaf and good ale. Farmers' sons followed the hounds instead of the plough. Their daughters applied cosmetics to their harpsichord-playing hands instead of milking their cows.

The ancient 'one nation' landlord-tenant bond and balancing of prices and wages gave way to a competition of capital and labour more common in the industrial towns. It suited the new-rich farmer to have the labourer out of his house (just when he could least afford to be) completely reliant on a weekly wage and without any distractions like a garden of his own. Greedy farmers "cannot keep them upon so little as they give them in wages," commented Cobbett. Yet, significantly, in Ely and Littleport, many who did 'live in' defended their farmers from the agitators. And across the whole of East Anglia only one 'live in' labourer rioted.

A parliament of gentlemen - which had encouraged the nation to stand together against Napoleon - passed laws, like the new Corn Laws, in its own class interest. Laws against forestalling and engrossing - which protected the poor against price rises - were repealed at the end of the 18C. These sparked riots against millers, shopkeepers and butchers whenever the prices went up.

At the same time new Enclosure Acts were fencing out those who most needed common land - common land meant a mouthful of meat added to a bread-only diet and firewood for their hovels. Game Laws, forbidding all but landowner to shoot game, were enforced by new man traps, spring guns and transportation: class violence dressed up as 'social' reponsibility. While poaching gangs of labourers, defending ancient common rights, were called 'anti-social', violent gangs of farmers opposing attacks on their war wealth threw property inspectors through windows without punishment. 5 Littleport rioters were hanged for doing little more.

On May 21 1816, amid general East Anglian unrest, about 50 such labourers met at the Globe Inn to talk about grain prices and lack of work. They sent out for a boat horn, which attracted a crowd. A bread riot erupted. The rioters began breaking and entering the houses of shopkeepers, millers and a hated parson-magistrate who came out to read them the riot act. They told him to "go home!" … That home, along with those belonging to parish overseer Henry Martin, the principal farmer, wealthy shopkeepers and others who fell in the mob's path, was attacked and burgled. £1 or £100 burglaries - an unimaginable fortune for a labourer on 2s a day - received the same - capital - punishment later, "I may as well hang as starve," as one rioter put it.

The next day the labourers marched, armed with bludgeons, pitchforks, muck cromes, fork staffs headed with iron spikes, fowling pieces and fowlers' guns mounted fore and aft on a stolen waggon, to Ely. Here they enlisted the aid of the locals and terrorised the millers and magistrates. They made them agree to their demands - lowering the price of bread, raising the level of wages and insisting that the farmer - not the parish - pay the full wage earned. When the mounted military - including Waterloo veterans - was sent in in defence of 'civilisation' -"Ely Cathedral itself is in danger!" - they took them on in an unequal battle and one rioter was killed.

They were rounded up for 'show' trials with judges (brought in from outside) handing down vicious sentences that successfully quelled all unrest in the Ely/Littleport area for a generation. On the scaffold, the 5 found most guilty begged forgiveness.  6 others were transported on the hulk ships for between 7 and 14 years.

They must also have wondered what else they could have done. Bread riots in Norwich had previously been successful in re-setting prices and wages. No-one spoke for them.  They had no vote; no union (The Combination Acts of 1799 and 1800 forbade meetings and outlawed unions) to represent their interests.  Riot (like rick burning and machine breaking) was their traditional political redress. Now, in the austerity of victorious freeborn England, the hapless farm worker was miscast as the enemy within.


The double centenary of the riots will celebrated on Riot Day in Littleport on May 22. Maypole Dancing, costumed guided walks, a re-enactment of the march on Ely, information collated and displayed, some descendants invited back from Australia. Relations of the hanged have been traced. A field theatre film to be shown; balladeers singing songs about the events and Morris dancing around the village. The Commoners Choir will be singing, local schoolchildren encouraged to dress up. Bread or Blood - a show telling the story of the riots with music/ballads- tours to The Function Room, Swan On The River, Littleport on May 22; Marriott's Warehouse, Lynn on May 27, Sessions House Ely 17 June, Babylon Gallery Ely 28 June, Folk in a Field Festival West Acre (extract) July 2 and Ely Folk Festival on July 10.

Lynn News Review of Jeff Hoyle's Talk about the Riots


Jeff Hoyle  True's Yard
The Littleport and Ey Riots of 1816

Regency England is a proverb for graceful buildings and refined civilisation but Jane Austen's description of "a mob of three thousand men assembling in St George's Fields; the Bank attacked, the Tower threatened, the streets of London flowing with blood" is more accurate. The 'Iron Duke' of Wellington was named not for his mettle at Waterloo but for the iron shutters erected on his windows against the threat of mob attacks on his house. So dire were economic conditions after the Napoleonic Wars that even East Anglia's normally docile agricultural labourers rose in revolt. The Littleport and Ely Riots of 1816 - demanding cheap bread and a 'living wage' to buy it - and reminsicent of the 'let them eat cake' revolutionary crowd in France - terrified the authorities so much that local justices (who granted these demands) were not trusted to oversee the trials and impose the viciously disproportionate sentences. 5 Littleport men were hanged - and 6 others transported for up to 14 years - for aggravated burglary. Jeff Hoyle's penetrating and skilfully illustrated talk to a packed room raised disturbing questions: did the right side win the Napoleonic Wars? (England's common people could have used some liberty, equality and fraternity) - why did the rioters attack and rob innocents as well as 'legitimate' targets like the singularly unchristian magistrate Parson Vatchel? And why does too much of this story - with the poor paying the price of 'austerity' - feel so familiar today?

Gareth Calway






June 26, 2014

The Brilliant Burneys of King's Lynn - EDP Weekend Feature Saturday July 12




‘I offered some few words in favour of my poor abused town the land of my nativity - of the world’s happiness – we discoursed a little time and Hetty suddenly cried out ‘Hush hush, Mama’s in the next room. If she hears us we two will be whipt. And Fanny will have a sugar plumb’ ‘Aye cried Maria tis her defending Lynn which makes Mama (Fanny’s stepmother, Mrs Allen, Lynn born and bred) so fond.’  

'I remember well that, when I was preparing....I had such an idea I should undergo an examination and I was fearful of some wry question that might discountenance me, that I learnt nearly the whole common prayer book by heart! - Besides reading the Bible quite through three times! I was so indefatigable, I rose to nothing else; and never went to rest while I could procure light for my labours. … (and) after all this hard work - the fat clumsy stumpy worthy Bishop of Norwich clapt his hand upon my head, and off it, as fast as he possibly could, and never made a single interrogatory, nor uttered a single doubt or demur upon my fitness or unfitness for his blessing.' …

                                                         Fanny Burney’s diary








Celebrating the woman from Norfolk who inspired Jane Austen (EDP feature)

Saturday 19 July marks the 200th anniversary of Dr Charles Burney, internationally-famous musician of his day. But his Norfolk-born daughter would go on to even greater fame - and inspire one of the best-loved writers of all time. GARETH CALWAY and TREVOR HEATON tell the story of the ‘Brilliant Burneys’.

Take a look at this quotation: "if to PRIDE and PREJUDICE you owe your miseries, so wonderfully is good and evil balanced, that to PRIDE and PREJUDICE you will also owe their termination."

Remind you of anything? And those capitals have not been added here, but by the original writer - ‘Fanny’ (Frances) Burney, King’s Lynn’s own literary superstar, in the last chapter of her novel Cecilia.

They would have certainly impressed her readers, including a young lady who went on to subscribe to her novel Camilla - a certain Miss J Austen of Hampshire.

And yet the talented Frances and her once equally-famous father have now largely slipped below our cultural radar - something which organisers of the 64th King’s Lynn Festival, which begins tomorrow, are determined to put right.

Frances was the daughter of musician and composer Dr Charles Burney, the 200th anniversary of whose death is being marked by a special ‘Charles Burney Day’ next Saturday.

Charles was treated as a popstar of the day when he lived and worked in Lynn in the 18th century but his influence continues to underline the town’s position on the cultural map.

As historian Dr Paul Richards explains, Burney’s star status made him an instant hit with the town’s well-to-do. "Because of his celebrity status, Lynn merchants wanted Burney to teach their daughters to play the harpsichord and further attention was drawn to Lynn when he commissioned the Snetzler organ at St Margaret’s," he said. "His first concert playing it was reported in the London papers."

Peter Sabor, a world authority on Charles who is professor of English at McGill University, Montreal, will give an illustrated lecture on Burney and, in particular, his friendship with Samuel Johnson, at St George’s Guildhall.

Then at at 7pm in the Minster (St Margaret’s Church) that evening The English Concert, recognised as one of the finest chamber orchestras in the world, will perform music which traces Burney’s travels around Europe while he was gathering material for his book, ‘The General History of Music’, which brought him international fame.

And at 9.30pm renowned organist John Butt will give an organ recital on the Snetzler organ. The programme will include music by Burney.

Meanwhile Lynn’s beautiful Custom House - a building Charles and his young daughter Frances would have known and admired as townsfolk still do today - is hosting a little gem of an exhibition of all things Burney organised by enthusiast Alison Gifford.

Burney, already a distinguished young London organist, brought his family to the cleaner air of Lynn after a bout of ill-health in 1751.

He was soon appointed as organist at St Margaret’s Church, now Lynn Minster, and much sought after as an elite music tutor by the town’s great merchant families. But it is his roles as music historian and composer, which were more important to him, that have secured him his place in cultural history.

He had a profound influence in Lynn at a time when music, dancing, books and picture collecting became the vogue.

Georgian Lynn was a large and prosperous port. Its elite merchant class lived in the town houses that still dominate King Street, Tuesday Market Place and Queen Street.

The Trinity Guildhall was extended to make an Assembly Room and Card Room; open pasture was landscaped to provide elegant Walks for the fashionable to stroll in and St George’s Guildhall was adapted as a theatre.

In the words of Nikolaus Pevsner, "The sequence of streets… is one of the most satisfying Georgian promenades in England." Sir John Betjeman was another devotee of its elegance.

Soon after Frances’ birth in 1752, the Burneys moved to the modish des res of 84 High Street (now identified by a green plaque). Large fashionable shops were rebuilt in this street by a wide range of tradesmen and patronised by town merchants and country gentry.

Big barrel-shaped windows of many panes fronted spacious interiors full of merchandise: carpets, glass, teas, sugar, coffee, chocolates, hats – and of course tickets for theatre, stagecoach and the latest Burney concert.

Saturday Market Place is dominated by Lynn Minster as it was in the Burneys’ day. The loss of its landmark spire in a gale ten years before Burney’s arrival in the town would no doubt still have been a topic of conversation.

A new Georgian nave was finished in 1747 and commented on by Burney on his arrival in the town: he thought the organ appalling, along with the ignorance of music among his patrons (views he presumably kept to himself). He persuaded the Lynn Corporation to commission a new organ in 1754 - at the enormous sum of £700 - and it was placed against the great west window (it is now in the east end nave).

Soon after their arrival, Charles and his first wife Esther were busily mingling with the upper crust in and around Lynn, including the great merchant family the Hogges who lived on Tuesday Market Place.

Burney tells us: "My wife, though herself no card player, never failed to be equally invited; for she had a most delightful turn in conversation, seasoned with agreeable wit, and pleasing manners."

Burney had egalitarian leanings, however, and sought out street musicians on his travels as well as elite performers. He moved to a ‘pretty and convenient’ house in Chapel Street – now the site of the council offices - in 1751. It cost him £12 a year in rent and Esther followed him in 1752, bringing their three children Hetty, Charles and James to a new house in High Street.

Charles sadly perished here as an infant and is buried in St Nicholas’ Chapel, but Frances was born in Lynn in the same eventful year. There followed Susannah, Charles and Charlotte and another child, George, who died.

Growing up in Lynn and seeing the interplay between the merchant families, their rivalries and airs-and-graces, their fallings-out and fallings-in of friendship, must have given her ample material to tuck away to call upon for her later satirical barbs.

She was comically aware at an early age of the discrepancy between what people said and what they did. This account of her Confirmation by the Bishop of Norwich is a good example: ‘When I was preparing... I had such an idea I should undergo an examination and I was fearful of some wry question that might discountenance me, that I learnt nearly the whole common prayer book by heart! - Besides reading the Bible quite through three times!... (and) after all this hard work - the fat clumsy stumpy worthy Bishop of Norwich clapt his hand upon my head, and off it, as fast as he possibly could, and never made a single interrogatory, nor uttered a single doubt or demur upon my fitness or unfitness for his blessing.’

On another time she wrote about seeing the ships moored along the Ouse and hearing the ‘oaths & ribaldry’ of the sailors and porters... until she fled back in the house, blushing. Or watching a wedding party arrive, and leave, St Margaret’s Church within 15 minutes - ‘O heavens! How short a time does it take to put an end to a Woman’s liberty!’.

Frances and her family stayed on in Lynn until she was 18. For some years they had partly lived in London, and took the final decision to move back to the capital for good in 1770.

Family friend Samuel Johnson told her affectionately that he was never taken in by her ladylike self-effacement. ‘Your shyness, and slyness, and pretending to know nothing, never took me in. I always knew you for a toadling’ (ie a little toad that looks harmless but carries poison in its tail.) The painter Sir Joshua Reynolds professed a healthy dread of ‘little’ Fanny’s satirical eye, of her ruthless exposure of affectation - and selfishness.

‘Evelina, or A Young Lady’s Entrance into the World’ was written in secret and published anonymously in 1778 and taken as the work of a man - Dr Johnson was even suggested as the author - until delighted readers found her out and celebrated her achievement.

The 1780-2 follow-up ‘Cecilia’ confirmed her reputation, and for her third novel Camilla she received the unhitherto unprecedented sum of £1,000 for the copyright in 1796, proof of her pulling power as a novelist.

One of those who eagerly read the book was the young Jane Austen. She was to begin her most famous novel, originally called ‘First Impressions’, only a few months after reading Camilla. First Impressions would have made a memorable title - but not as memorable as the one she eventually came up with: Pride and Prejudice.

One of Burney’s biographers, Clair Harman, observes: "Austen was a devoted fan of Burney, and seems to have particularly admired Camilla."

Scholars have spotted parallels in plots, situations - even jokes - between the two writers. Like Jane Austen, Frances employed comedy, irony and satire; focused on female heroines, and wrote about the ‘domestic’ topics of love, marriage, money, and manners. Austen so admired her that she even joked to her sister Cassandra in an 1813 letter that she might marry Frances’ son Alex (Austen was 38, he was 20 at the time).

Austen admiringly alludes to two of Burney’s books in Northanger Abbey: "It is only Cecilia, or Camilla, or Belinda; or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best-chosen language."

Frances - who became Madame D’Arblay on her 1793 marriage to a French general who had fled the Revolution - lived on until 1840, her lively diaries eventually becoming more famous than her novels. Jane Austen, her great protege, had died in 1817, three years after Frances’ father.

The writer had spent five years at Queen Charlotte’s court, satirising its paralysing etiquette and tormenting lack of independence to the delight of her readers.

But her diaries are kinder about Lynn, as this disagreement with her sisters shows: "I offered some few words in favour of my poor abused town, the land of my nativity - of the world’s happiness – we discoursed a little time and Hetty suddenly cried out ‘Hush hush, Mama’s in the next room. If she hears us we two will be whipt. And Fanny will have a sugar plumb’ ‘Aye,’ cried Maria, ‘tis her defending Lynn which makes Mama [Fanny’s stepmother, Mrs Allen, Lynn born and bred] so fond’.

Let’s not forget it was ‘poor abused’ Lynn which helped to shape a writer, who in turn helped inspire an even greater literary name. Virginia Woolf wrote tellingly, if a little hazily regarding the relative dates of their deaths, that "Jane Austen should have laid a wreath upon the grave of Fanny Burney".

So perhaps walking somewhere in the elegant drawing rooms frequented by Jane Austen’s characters lurks the echoes of the ghosts of those long-forgotten merchants of Georgian Lynn.

For more information about Charles Buirney day events, visit www.kingslynnfestival.org.uk, call the box office 01553 764864 or the Festival office on 01553 767557. The exhibition ‘Georgian Lynn and the brilliant Burney family’ continues at the Custom House, Purfleet Street, until October 31, admission £1.

Fanny Burney: A Biography, by Clair Harman, is published by HarperCollins.






The Festival Press Release:

"Musician and composer Dr Charles Burney was treated as a “pop idol” of the day when he lived and worked in King’s Lynn in the 18th century but his influence continues to underline the town’s position on the cultural map.

The 200th anniversary of Burney’s death is being marked by a special Charles Burney Day on July 19 during next month’s King’s Lynn Festival.

Lynn historian Dr Paul Richards, who is leading special Burney-themed walks around the town centre, is very aware of the many visitors attracted to Lynn to learn more about Burney’s nine years in the town during which he was organist at St Margaret’s Church.

“Burney’s celebrity status draws attention to the town and this year’s anniversary is attracting visitors from all over the region and further afield,” Dr Richards said.

“Because of his celebrity status Lynn merchants wanted Burney to teach their daughters to play the harpsichord and further attention was drawn to Lynn when he commissioned the Snetzler organ at St Margaret’s. His first concert playing it was reported in the London papers,” he said.

This history related to visitors against the background of Lynn’s Georgian streets continues to intrigue tourists and two Festival concerts and a talk will celebrate a personality who has a significant place in Lynn’s rich history.

Peter Sabor, a world authority on Burney who is professor of English at McGill University, Montreal, will give an illustrated lecture on Burney and, in particular, his friendship with Dr Johnson. The talk will be given at St George’s Guildhall on Saturday July 19.

At 7pm in the Minster (St Margaret’s Church) that evening The English Concert, recognised as one of the finest chamber orchestras in the world, will perform music which traces Burney’s travels around Europe while he was gathering material for his book, The General History of Music, which brought him international fame.

And at 9.30pm renowned organist John Butt will give an organ recital on the Snetzler organ. The programme will include music by Burney.

The Festival is also supporting an exhibition about the “Brilliant Burney family” in the Custom House.

For more information visit www.kingslynnfestival.org.uk, call the box office on 01553-764864 or call the Festival office on 01553-767557."


opening of the ballad (as published in Doin different - new ballads from the East of England by Gareth Calway published by Poppyland publishing 2015. Ballad number 23.)

Of Halls and harpies, haprsichords,

Society and Sin,
She wrote her sugar-plumbing words,
Sweet Fanny B of Lynn.

Up-laddering Queen Charlotte’s robes
And blood-Blue Stocking works,
The glittering Balls of Johnstons, Garricks,
Montagus and Burkes.


The snake, the cad, the ingénue,
Bad-manners and bad hearts,
She clocked them with a lady lash,
A tongue to make them smart...