Skirting Heresy (The Story of Margery Kempe of Lynn) with Vanessa Wood-...

"Skirting Heresy" is the title of an epic play by New York author Elizabeth MacDonald which I edited for a production in Lynn Minster in 2018, mainly adding several existing songs from a previous play of my own which which you'll find on the Peacock's album  peacocks-tale.bandcamp.com/album/a-mas…for-margery and - in different versions - on the album the Penland Phezants ( Andy Wall, Vanessa, Melanie and me) created for the Skirting Heresy show. Andy and Vanessa wrote the folk tunes; I wrote the lyrics and the beat-based rap and chant bits. The "Skirting Heresy" score is collected on thepenlandphezants.bandcamp.com/album/son…ery-kempe
This track "Skirting Heresy" using the title of the play as a refrain was written by Andy and I to cover a lengthy curtain call for the epic cast of 70 and to tell the whole story of the Book in a summary form. We both rather extended ourselves and we were all still performing it about 4 minutes after the epic curtain call ended! I recall pointedly singing "You're a menace to churchman but a mystic to me" to possibly the least facilitating churchman ever to host a play about one of his most famous ancestral parishioners.
This is the abridged Peacock version. The full Peacock version is here-  soundcloud.com/gareth-calway/skirting-heresy-in-full
The lovely upbeat Andy-led folk performance is on the Phezants album link above. This version features the three other performers on that track (adding Vanessa's beautifully measured harp to our usual Peacock duo) taking it somewhere more mediaeval.

Margery Kempe In Our Time

Room at the Hanse Theatre Company after their performance of 'Hanseatic Characters' at the 2016 Hanse Festival, which included a performance of The Ballad of Margery Kempe (the 4 involved on that song are, from l to r - Melanie Calway, vocal; Vanessa Wood-Davies, harp; Father William Sawtrey aka Gareth Calway, lyrics; Anto Morra music, guitar, production)

This Thursday morning, June 2 2016, six centuries after,  BBC Radio 4's flagship culture  programme 'In Our Time' considers the contribution made by a Lynn housewife to the history of ideas.

'Do different' is Norfolk's motto.  Margery Kempe (1373-1438) is not the first Lynner to have thought different. Her parish priest William Sawtrey, a Lollard heretic, was the first man burned for his beliefs in England (in 1401) and has even been identified as the 'morning star' - the pioneer (for good or ill) - of the English Reformation. Lynn-raised Fanny Burney changed the course of the English novel. There is even 'compelling evidence' that the father of English poetry, Geoffrey Chaucer, was born in Lynn. It is only Norfolk's self- deprecation that stops us trumpeting all this as other regions might.

But Margery is surely the most unusual pioneer of them all.  Illiterate, she 'wrote' (by dictation) the first autobiography in English, 'The Book of Margery Kempe'. And an extraordinary book it is.

She includes details of the mediaeval world she lived in - the thriving Hanseatic waterfront of that premier league port Bishop's Lynn - and of her life in it as a Lynn burgess's wife and mother of 14 children. A recent letter to her by her son found in Danzig (now Gdansk) corroborates her book's historical accuracy. She also mentions that she was the daughter of John Brunham, the town's leading merchant, MP, mayor, benefactor, royal agent , a major player in the precarious European trade politics of the time.

But none of this interests her much. Her Book is mostly about the visions she received - first of devils, then of a beautiful loving Jesus - after her first traumatic labour. From that point on, her life was fraught with danger.

As a mediaeval woman, she was supposed to serve her husband and, as a lay person, to defer to the church. Her claims to divine visions of Jesus, of a loving God; a virgin Mary and a robin redbreast singing merrily in her right ear (which she believed was the holy ghost) - defied all conventions.

To the authorities she was either a would-be saint - which her married status prohibited and her not being a virgin called into question - or possessed of the devil. She was accused of, and tried for, the Lollard heresy, for which her parish priest was burnt in 1401, by powerful enemies like the Archbishop of York - whose steward she accused of sexual assault - and the Mayor of Leicester. Some believe it was only her position as the daughter of Lynn's rich and powerful mayor that saved her.

But other holy voices, like Mother Julian of Norwich (whom she met) and minor clerics like the Vicar of Sedgeford and Alan of Lynn, supported her claims. One of these minor clerics helped her record her visions as her scribe, which established herself as part of the mystical tradition of the fifteenth century. And a figure of increasing interest - in our time.

The lyric of The Ballad of Margery Kempe is on sale in Waterstones, Jarrold's, True's Yard Museum, Hanse House and via the publisher in 'Doin different, new ballads from the east of England', (Poppyland publishing, 2015) 

Links:

How The Lynn News covered this story - here

Portal to The Wife of Lynn's Tale (2015 Lynn Festival Fringe production) and a wealth of support material -  - here

Margery Kempe ballad in the book 'Doin different - new ballads from the east of England' (scroll down to Margery in the list of ballads and in the list of historical support  (published features etc) - here 

The Scribe's Prologue to the Wife of Lynn's Tale

Read the full script here