April 06, 2016

Digging Deep (SHARP in Suffolk Norfolk Life Magazine)



(feature published July 2014)

The origins of The Sedgeford Historical and Archaeological Research Project can be traced back to a hotel bar overlooking the Bay of Naples. It was here in 1995 that a chance meeting took place between SHARP's founder director, Dr Neil Faulkner, and the owner of the Sedgeford Hall Estate, Professor Bernard Campbell, who mentioned the archaeology found on his estate….

Nineteen seasons later SHARP is one of the largest independent archaeological projects in Britain, and firmly rooted in the local community. It has won awards for its outstanding contribution to education. Half a dozen locals who went on to study archaeology as postgraduates found their futures in the trenches of Sedgeford’s past.




The project was set up with a broad remit – the understanding of human settlement and land usage within the parish. The refusal to narrow focus may be why it has lasted, surviving a shift in archaeology from the micro to the macro. What diggers are now trained to look for is not the individual find but the general picture. One diseased bone is significant: a field full of them tells a story about how a community lived and died.

Since 1996 SHARP has undertaken a wide range of excavation and research projects from an Early Bronze Age crouched burial to a First World War aerodrome.

Beginning with Iron Age and Saxon burials – including murders - in the spooky Boneyard Field, around the Reeddam and St. Mary’s Church, excavations and research have since extended to Chalk Pit Field North, Eaton Roman Villa, the Saggy Horse Field, West Hall, East Hall, Hall Wood, Ladywell Field and even Sedgeford Hall Bowling Green!




The Sedgeford Village Survey, involving excavations of local gardens, proved popular with locals presented with Anglo-Saxon and Medieval pottery unearthed from under their own property along with a greater understanding of the history below their feet.
The aerodrome will receive particular focus in this centenary of that fateful August 1914, whose appalling tally of local names on the Sedgeford War Memorial still inspires.

Death has a long and changing history here. SHARP has unearthed evidence of remote pagan burial practices of the Bronze and Iron Ages and a possible Anglo-Saxon chapel with thegn-class burial in the village’s West End.

It is rare until modern times for a holy site once established to be abandoned. But this one was replaced by what became St Mary’s parish church, intriguingly just before the Norman invasion.

You and I might just see an insignificant depression running north-south down ‘Chalkpit’ field. Dr John Jolleys and his SHARP-eyed team see a shallow U-shaped valley formed in the last Ice Age ‘as a result of glaciation and melt water.’ And their instruments recorded ‘four strong magnetic anomalies’.
What were they? Last year’s excavation – two metres down into Middle Anglo-Saxon layers of soil formed as a result of ploughing activity ... thrillingly revealed an Anglo-Saxon oven capable of large-scale cereal production for an estate or a monastery. There were a further two metres of earlier ploughsoils beneath the Middle Anglo-Saxon one, going back to the Late Iron Age and Romano-British period.
And the ghostly hand of the past. “The presence of hand and finger marks on the inner wall of the oven was noted, the … size of the prints (suggesting) it may have been the work of women, or children.”
Our Sedgeford ancestors’ daily work for their daily bread was also evidenced. “… Small pieces of charcoal…A mass of charred grain…found within the fire pit just by the inner border of the stoking shelf. The soil over a wide area outside was noted to be stained with fine carbonised material.”
What would our middle Saxon forebears make of our exhausted modern soil? Dr Jolleys details the contrast. “The preserved plough soil from the Middle Anglo-Saxon period, a layer rich and humic and containing only Ipswich Ware pottery (c 650 -850 CE) …sealed by 1.5m of orange brown sandy colluvium which has accumulated over the last 1200 years. The modern plough soil has a thickness of 0.3m and is much less rich in humus than either the Iron Age or Middle Saxon layers.”
Could you be part of all this ground-breaking work? SHARP secretary Brenda Stibbons enthused "If you have always wanted to work on an archaeological site, this is your opportunity - we welcome people of all ages on the courses.
“The Basic Excavation & Recording Techniques course teaches the theory and practical side of excavation - they will be working on the main site for their practical experience. A campsite, well served with hearty victuals, is provided.

“If people live locally they do not have to camp on site but can travel in each day.

“If you are interested but do not fancy digging, you can join one of SHARP’s week or day courses which run throughout the excavation season 6th July – 15th August”.

A variety of courses cover the theoretical and practical aspects of archaeology. This year Archaeology of WW1, Church Archaeology, Landscape, Archaeology of Human Remains and Archaeometallaurgy. There are also day courses – like Anglo Saxon cookery- and also Dig for a Day.

It’s not all work. The annual tradition of Norfolk-based entertainment and scrumptious mediaeval banquet will be provided this year by Room at the Gin’s theatrical production of Margery Kempe of Lynn (on July 30) and returning folk band the Fried Pirates.
Director of SHARP since 2007 Mr Gary Rossin sums up, “The project’s founding objective was to research and explore human settlement and land usage within the parish of Sedgeford. The main focus of its nineteen years has been the Middle to Late Anglo-Saxon period. There are important pieces of the jigsaw yet unfound, not to mention the picture on the box!
“In 2014, we’ll be revisiting glimpses of a mediaeval landscape, including a manor house itself, moving backwards and forwards from our continuing Saxon focus.
“And, on the centenary of World War 1, we will also revisit our research at the nearby First World War aerodrome, along with the militiarised landscape of the local area. The Roman farm under Hall Field will have to wait until 2015 as it has sugar beet in it this year!”
Details of courses are at http://www.sharp.org.uk/courses.html and general information on www.sharp.co.uk.




March 05, 2016

Welcome home Ray!

100+ view for this post

My Lynn News story about the return of Ray of the Antarctic










'A head in the lenticular clouds' of South Georgia (see Lynn news article)

The Ballad of Death By Hanging (from the Ely Folk Festival show 2016)


The Ballad of Death By Hanging (Ely, 1816)

"I might as well be hanged as starved" (Richard Rutter, a rioter at Ely 1816) 

(right- plaque on the tower of Ely Church commemorating the five rioters hanged. Note the chilling threat at the end "May their awful fate be a warning to others." It certainly was. East Anglia was subdued throughout the riotous decades which followed.)

"John Dennis of Littleport, aged 42,
For 'Felonious Riot and Burgling'
Fifty Pound Notes from an Ely house,
I sentence you - death by hanging.

William Beamis of Littleport, aged the same,
For 'Felonious Riot and Robbing'
A One Pound Note from a Littleport man,
I sentence you - death by hanging.

Isaac Harley of Littleport, 33,
For Housebreaking, Riot and Stealing
The plate, linen, china of John Vatchel, clerk,
I sentence you - death by hanging."

The 11th hour comes, lads, we won't see a 12th,
Only parson and hangman and darkness,
We're names on a church wall, a cautionary tale,
Of the rigged scales of British Justice.

James Newell, James Rutter, John Jefferson
For Riot and Felony in Ely,
John Easey, John Walker, Mark Benton,
I sentence you… transportation.

Thomas South of Littleport, aged 22,
For Riot and Breaking and Burgling
A Littleport drapers and grocery shop,
I sentence you - death by hanging.

George Crow of Littleport, aged 23,
For Riot in Ely and Burgling
Of Cutlacks and Waddlelow's of Littleport,
I sentence you - death by hanging.

The 11th hour comes, lads, we won't see a 12th,
Only parson and hangman and darkness,
We're names on a church wall, a cautionary tale,
Of the skewed scales of British Justice.

The Jury has no doubt, it wants us put
In our place of execution,
A moment to pray, then to suffer the price
Of our faux-French revolution.

On the brink of eternity, five men stand,
Witnesses keenly attending,
We acknowledge our crimes and the justice received
Then a jolt - and five bodies swinging.

"May the awful fate of these unhappy men
Produce the intended effect
Deterring all others from similar crimes
…With an iron heel on your necks."


The 11th hour comes, lads, we won't see a 12th,
Only parson and hangman and darkness,
We're names on a church wall, a cautionary tale,
Of the stacked scales of British Justice.

The 11th hour comes, lads, we won't see a 12th,
Only parson and hangman and darkness,
We're names on a church wall, a cautionary tale,

Of the corrupt scales of British Justice.




'Bread or Blood' written by Gareth Calway and with music composed by Andy Wall tells the story of the Littleport and Ely Riots, which broke out 200 years ago on  22 May 1816, a year after Waterloo. Many people view post-war Regency England as an ideal time of graceful buildings and refined civilisation but Jane Austen's description in 'Northanger Abbey' of "a mob of three thousand men assembling in St George's Fields; the Bank attacked, the Tower threatened, the streets of London flowing with blood" was not as ironic as may appear. The 'Iron Duke' of Wellington, was not called so because of his military mettle at Waterloo but because he had to have iron shutters erected on his windows afterwards against the threat of mob attacks on his house. Landowners and manufacturers alike went in fear of violent revolution and dukes could not safely walk the streets of London in their ordinary clothes in the almost incredibly dreadful conditions faced by the working population after the Napoleonic wars. It is a sign of how desperate things were that even the normally docile agricultural labourers of East Anglia rose in bread riot in the 'year without a summer' of 1816 - when things got even worse - of which the one at Littleport and Ely became a symbol. And it is a sign of how scared the rich and powerful were that the revenges taken upon a mob of aggravated burglars was so appallingly harsh.



Gareth Calway is an author and performer whose historical works include ‘Bound for Jamaica' (Collins Education, 2012, about the Atlantic slave trade) and 'Doin different, 39 new ballads from the East of England’ (Poppyland, 2015.) He writes regular features for the Eastern Daily Press and other East Anglian journals and his one man show ‘Cromwell’s Talking Head’ brought a ‘wonderful local flavour’ to Ely Folk Festival in 2013.

Andy Wall is a director of the Ely Folk Festival and a veteran of the folk circuit, recently performing in Folkstock's East of England showcase  and a great favourite wherever he performs. 'Bread or Blood' is the first collaboration of Andy and Gareth and both will be appearing separately at this year's Folk in a Field  festival in Norfolk as well as touring 'Bread or Blood' in East Anglia culminating at the Ely Folk Festival in July.

February 13, 2016

Living in the Past





I'm listening to 'Reason For Waiting' from Jethro Tull's second LP (and I mean LP, and vinyl) - that sunrise flute at the start and then the gentle-strong Anderson vocal 'What a sight for my eyes to see you in sleep/ Could it stop the sun rise hearing you weep...' I'm listening to it for the fourth time in succession and I have done this many times in the past. As the man sings, 'The memory stays clear'. It's 1971. I'm 14, listening to my first 'heavy' 'progressive' (folk) (blues) rock  album, bought second hand. The first glimpse maybe of life beyond the bedroom I was in in my parents' big old Victorian house on the mighty (though westering and rusting) heavy metal Welsh coalfield. Wanting to be wherever Anderson was; to be in the band he was in; to be with the girl he was singing about...






January 10, 2016

Brown Lady is Top of the Soundcloud Pops!

The hit parade of an unprecedented 268 Gaz29 world plays for the last 7 days:

https://soundcloud.com/gaz29-1/stats/plays/2016-01-04/2016-01-10/expanded