Showing posts with label Bread or Blood. Show all posts
Showing posts with label Bread or Blood. Show all posts

February 27, 2018

The Full Phezants Phirst Phlight! - photo gallery (part of the Cambridgeshire Libraries Presents Arts Alive project)

THE PENLAND PHEZANTS AT WISBECH LIBRARY SAT. 24 FEBRUARY 2018
TELLING THE STORY OF THE 1816 LITTLEPORT AND ELY RIOTS
(OUR FIRST GIG AS A THREE PIECE)


Foisting the Hezant! Pholk tales and music.



Phirst night! Looks like a phull house!



Show them the instruments!



Once upon a time, when people might as well be hanged as starved...



Our mime section. Upwardly mobile farmer's daughter Mary Martin plays bad harpsichord.


There's a riot going on around here. (But I don't think it's going to end well, Jack...)



Told you!


That's all pholks!

August 19, 2017

Lancelot and the Grail maiden - Waywood's first album


LANCELOT AND THE GRAIL MAIDEN - click to hear the new Waywood album.

Hear our Soundcloud hit!




We are Waywood. A voice and a  harp telling stories. Here is our contribution to an ageless tradition. We hope you enjoy the new stories of Norfolk we tell.

Next gigs: Bourne, Lincs, 7 Sep.


Lynn Heritage Day, Hanse House, Lynn,  10 Sep


On 10 September, Waywood will be showcasing their new album of Norfolk stories as part of Heritage Day in Lynn  These stories include homages to the extraordinary number of pioneers Lynn has produced through the ages. Characters like William Sawtrey one time priest of St Margaret's Church (now Lynn Minster) - and in 1401 the first man to be burned for his beliefs in England - and his famous parishioner, Margery Kempe, who combined marriage and fourteen children with a unique visionary life travelling as a pilgrim throughout the Hanseatic world and beyond and also famously wrote the first autobiography in English. Waywood also tell such strange ghost stories of ordinary Norfolk people in history as that of Susan Nobes, who was struck by lightning in Sedgeford Church in 1819 - a ballad that has now had nearly a thousand plays worldwide on Soundcloud - and of Norfolk gentlefolk like the Brown Lady reputed to haunt both Houghton and Raynham Hall.  "The Brown Lady", as the ballad explains, was Dorothy Walpole not just sister of first British Prime Minister (and Lynn MP for 40 years) Sir Robert Walpole but also the wife of 'Turnip' Townshend. The mysterious nature of her death and the assertion that she is the only ghost every to have been photographed (on the stairs of Raynham Hall in 1936!) all add to the crepuscular glamour of this tale. 
Gareth will also rap his "Ballad of Badass King John - As Seen On TV!" for the first time since he did so at the official ceremony unveiling King John's statue in Lynn last October, when the performance was shown on the BBC News. Vanessa will join him for only their second public performance of a ballad commissioned from them by the Borough of West Norfolk and King's Lynn about the other West Norfolk figure honoured last June with a statue - Henry LeStrange, the man who invented New Hunstanton.
Waywood will be introduced by town historian Dr Paul Richards at 1 pm in the Gallery at Hanse House on Heritage Day (Sunday September 10) and will perform for about an hour. The show is free. Audiences are welcome to drop in and stay for a song or two or for the entire concert, whichever they prefer. "We know that visitors have a lot of great things to see and hear in Lynn on that day," commented Gareth.

"It will be worth seeing us just for the costumes!" said Vanessa, who has been busy creating a fetching Robin Hood i' the Greenwood look for the duo's new Hereward material to add to the Lancelot and Grail Maiden chic Waywood enjoyed modelling on their recent album cover. "Not many realised Lancelot was wearing the standard of the Hanseatic League on his tabard for that cover shoot," (see above) Vanessa explained. "But with so much Lynn and Hanseatic material in our repertoire, why wouldn't you?"

Pics below by Bhas Allan, Elaine Bird, David Maile, Joan Wall and Zariah Wood-Davies.


The newly unveiled statue of Henry LeStrange 

Waywood sing his praises

'He carved his vision from carrstone rocks"

"A holiday heaven from his hands"

Lovewood, her work done.

The sculptor and Loveway the poet suffering for their art after the ceremony. 
(This is the easy bit)

No, not REM, Waywood at the album launch.

Lovewood making the harp talk

Lovewood and harp as one

Just to show it wasn't easy making that album cover look easy

Mine's a pint, please, Grail maiden.

The real William Sawtrey, first man to be burned for his beliefs in England

Loveway playing Sawtrey in our Morality Play - "A Nice Guy: The Burning Of William Sawtrey" at the Lynn Fringe in 2015. Lovewood is just out of shot left playing Soul. Bhas Allan ( for once not taking the pics) is the devil telling Sawtrey he's toast.

Waywood harping tall histories (and looking vertically stretched) at the 2016 Heritage day in Lynn

Original press release


Poet Gareth Calway and Harpist Vanessa Wood-Davies, both of Sedgeford,  are releasing a 'craft' album of their Norfolk ballads at the Bury St Edmunds Festival on May 19. All but the title track of these harp-accompanied verse tales commemorate a real character from Norfolk's past - from national figures like William Sawtrey of Lynn, the first man to be burned for his beliefs in England, to unsung ones like Susan Nobes of Sedgeford, killed by lightning in Sedgeford Church in 1819. As Waywood (the artists previously known as Lovehearts and Redwine), the two have written, composed, performed, recorded and produced the album themselves and will be performing them on the opening night of the Festival. Andy Wall and Gareth will close the evening with their Ely Folk Festival commission, Bread or Blood, about the Littleport and Ely Riots of 1816 and singer Sharon Clifton will commemorate Ann Boleyn (executed May 19 1536) and Margery Kempe in song .   www.buryfestival.co.uk  


March 05, 2016

The Ballad of Death By Hanging (from the Ely Folk Festival show 2016)


The Ballad of Death By Hanging (Ely, 1816)

"I might as well be hanged as starved" (Richard Rutter, a rioter at Ely 1816) 

(right- plaque on the tower of Ely Church commemorating the five rioters hanged. Note the chilling threat at the end "May their awful fate be a warning to others." It certainly was. East Anglia was subdued throughout the riotous decades which followed.)

"John Dennis of Littleport, aged 42,
For 'Felonious Riot and Burgling'
Fifty Pound Notes from an Ely house,
I sentence you - death by hanging.

William Beamis of Littleport, aged the same,
For 'Felonious Riot and Robbing'
A One Pound Note from a Littleport man,
I sentence you - death by hanging.

Isaac Harley of Littleport, 33,
For Housebreaking, Riot and Stealing
The plate, linen, china of John Vatchel, clerk,
I sentence you - death by hanging."

The 11th hour comes, lads, we won't see a 12th,
Only parson and hangman and darkness,
We're names on a church wall, a cautionary tale,
Of the rigged scales of British Justice.

James Newell, James Rutter, John Jefferson
For Riot and Felony in Ely,
John Easey, John Walker, Mark Benton,
I sentence you… transportation.

Thomas South of Littleport, aged 22,
For Riot and Breaking and Burgling
A Littleport drapers and grocery shop,
I sentence you - death by hanging.

George Crow of Littleport, aged 23,
For Riot in Ely and Burgling
Of Cutlacks and Waddlelow's of Littleport,
I sentence you - death by hanging.

The 11th hour comes, lads, we won't see a 12th,
Only parson and hangman and darkness,
We're names on a church wall, a cautionary tale,
Of the skewed scales of British Justice.

The Jury has no doubt, it wants us put
In our place of execution,
A moment to pray, then to suffer the price
Of our faux-French revolution.

On the brink of eternity, five men stand,
Witnesses keenly attending,
We acknowledge our crimes and the justice received
Then a jolt - and five bodies swinging.

"May the awful fate of these unhappy men
Produce the intended effect
Deterring all others from similar crimes
…With an iron heel on your necks."


The 11th hour comes, lads, we won't see a 12th,
Only parson and hangman and darkness,
We're names on a church wall, a cautionary tale,
Of the stacked scales of British Justice.

The 11th hour comes, lads, we won't see a 12th,
Only parson and hangman and darkness,
We're names on a church wall, a cautionary tale,

Of the corrupt scales of British Justice.




'Bread or Blood' written by Gareth Calway and with music composed by Andy Wall tells the story of the Littleport and Ely Riots, which broke out 200 years ago on  22 May 1816, a year after Waterloo. Many people view post-war Regency England as an ideal time of graceful buildings and refined civilisation but Jane Austen's description in 'Northanger Abbey' of "a mob of three thousand men assembling in St George's Fields; the Bank attacked, the Tower threatened, the streets of London flowing with blood" was not as ironic as may appear. The 'Iron Duke' of Wellington, was not called so because of his military mettle at Waterloo but because he had to have iron shutters erected on his windows afterwards against the threat of mob attacks on his house. Landowners and manufacturers alike went in fear of violent revolution and dukes could not safely walk the streets of London in their ordinary clothes in the almost incredibly dreadful conditions faced by the working population after the Napoleonic wars. It is a sign of how desperate things were that even the normally docile agricultural labourers of East Anglia rose in bread riot in the 'year without a summer' of 1816 - when things got even worse - of which the one at Littleport and Ely became a symbol. And it is a sign of how scared the rich and powerful were that the revenges taken upon a mob of aggravated burglars was so appallingly harsh.



Gareth Calway is an author and performer whose historical works include ‘Bound for Jamaica' (Collins Education, 2012, about the Atlantic slave trade) and 'Doin different, 39 new ballads from the East of England’ (Poppyland, 2015.) He writes regular features for the Eastern Daily Press and other East Anglian journals and his one man show ‘Cromwell’s Talking Head’ brought a ‘wonderful local flavour’ to Ely Folk Festival in 2013.

Andy Wall is a director of the Ely Folk Festival and a veteran of the folk circuit, recently performing in Folkstock's East of England showcase  and a great favourite wherever he performs. 'Bread or Blood' is the first collaboration of Andy and Gareth and both will be appearing separately at this year's Folk in a Field  festival in Norfolk as well as touring 'Bread or Blood' in East Anglia culminating at the Ely Folk Festival in July.