Showing posts with label Bhas Allan. Show all posts
Showing posts with label Bhas Allan. Show all posts

March 08, 2024

Lancelot and the Grail Maiden (the remake)



A most enjoyable collaboration with Bhas Allan who created the visuals for our atmospheric ballad. Lancelot and th Grail Maiden is about how the desperately grail-seeking but never quite finding Lancelot was seduced by the Grail Maiden (aided by the magic of Morgan le Fay who made her look like Guinevere) and thereby bore his son Galahad, who would replace his father as Arthur's Best Knight, find the Grail and thereby fructify the Wasteland. And that, Ron, is the paradox of our entire post-lapsarian exisence.


‘Come hither, Captain,’ the Grail Maiden sighs,
‘Thither away with me
To the rich wooded valley and holy well
My Waste Land dies to be.

‘Look! into the burning wilderness sun
Above the shadeless tree,
The high hawk of summer, hovering still,
The shadow of what will be:

‘The Shadowless One who waits above
To be born to you and me,
A Knight of Truth out of traitor arms
And infidelity.

‘Galahad the Pure, God-armed and winged
To bless our impurity
Unbearably born to steal your quest
And all of your shining glory.

‘Come hither, Captain,’ the Grail Maiden sighs,
And turns him a face so free:
His forbidden love, the queen of his dreams,
The end of all Chivalry.’

A faithless false knight in a failing light 
Fallen under a spell to see/ be
A Knight of Truth out of traitor arms
And infidelity.

Says he, ‘My heart is set on the grail
And wholly raised above!’
Says she, ‘It’s broken, and half is set
On your true adulterous love.’

‘I am her champion, she is my king’s,
I am their faithful knight!’
‘The Grail can’t be had for half a heart,
You can have that queen tonight.

‘Whisper my name, any name you like,
Any lover you want me to be,
A night of Truth in my traitor arms
And in fidelity.’

‘Come hither, Captain,’ the Grail Maiden sighs,
‘Thither away with me
To the rich wooded valley and holy well
My Waste Land dies to be.

 

 

She look'd so lovely, as she sway'd 
           The rein with dainty finger-tips, 
A man had given all other bliss, 
And all his worldly worth for this, 
To waste his whole heart in one kiss 
           Upon her perfect lips

February 29, 2020

The Book of Margery Kempe of Lynn

The Book of Margery Kempe is believed to be the first autobiography in the English language. In this new Poppyland pamphlet by Gareth Calway the author examines the history of the book itself and the manuscript that emerged in 1934. He explores its content and explains why it was such a pioneering work, the places that are still associated with Kempe and its influence on modern day writers, historians and dramatists. A selection from the full Bhas Allan photoshoot (see below) supporting the text is also included in the pamphlet.

The anchorhold in All Saint's, South Lynn, Lynn's oldest church.




Lynn Minster, whose foundation deed as St Margaret's refers to the building in honour of St Mary Magdalen, St Margaret and all holy virgins. Perhaps, as a tribute to its pioneering parishioner, Margery, independent wives should be added to that roll!




Fourteenth century brasses from St Margaret's, showing the Mayor and his wives. Margery's father was Mayor and MP a generation later.



St Margaret's from the south.



St Margaret's tower - with a sense of Margery's visionary eye.



The Whitefriars Gate, the only survival of a building in which the illiterate Margery is believed to have dictated her Book to a scribe. With a plaque containing at least two howlers addressed in the pamphlet.




Lynn mediaeval waterfront, from West Lynn. Margery's merchant father and burgess husband worked here and Margery sailed from a point somewhere in the middle of this view, which would have been marked then by a large pilgrims' cross. However, she sailed on her most famous pilgrimage to the Holy Land from Great Yarmouth (whose plaque - also reproduced in the pamphlet - accurately describes Margery as the author of her own Book.)




Richard Castre, Vicar of Sedgeford, and later of St Stephens in Norwich, was a friend and supporter of Margery.  She certainly needed support against some very powerful opponents, including the Archbishop of York (and the Mayor of Leicester) who charged her with heresy.


Post script. In response to the third comment below, here is the passage in which Margery describes her meeting with Julian in her cell in Norwich. (chapter 18, Book 1)







July 20, 2019

The Penland Phezant's Tale (Goodbye Cruel World) - Live at SHARP July 5 2019 FAREWELL SHOW/REVIEW



A folk music/ storytelling concert in a boneyard in Norfolk prefaced by a radio interview about it in Cambridge

Review: It’s not all that often that a band can say that they played an Anglo-Saxon cemetery but last Friday the Penland Phezants added Boneyard Field, Sedgeford (summer home to the Sedgeford Historical & Archaeological Research Project) to their list. In fact there is a motif that brought the group of local folk/storytellers to the historic site. Friday 5th July marked the bicentenary of the remarkable death of Sedgeford resident Susan Nobes, who was killed by a lightning bolt in the vestry of St. Mary’s Church, Sedgeford; part of the band’s set was dedicated to commemorating her death with The Ballad of Susan Nobes.
The Penland Phezants, comprising of poet and percussionist Gareth Calway, Andy Wall (lead vocals & guitar) Vanessa Wood-Davies (harp & backing vocals) and Melanie Calway (vocals) have for the past few years been performing a lively set of musical local histories. What the Phezants have managed to achieve through their well-researched and finely crafted songs and poems is the voice of the ‘Commoner’; words from those who were at the sharp end of history and in many cases have had their voices erased. 
From the 1816 Littleport and Ely Bread Riots, Hereward the Wake and Margery Kempe of Lynn, the songs and poems of the group display a sensitive and well-researched retelling of local history from the ground up. A fact that I am sure that the Anglo-Saxons (who loved a good story themselves) buried nearby would have no doubt appreciated as well.
Gary Rossin, Sedgeford Archaeological and Historical Research Project

December 13, 2017

JINGLE JINGLE THE PENLAND PHEZANTS CHRISTMAS SINGLE!

The recently formed East Anglian folk trio the Penland Phezants have released an online Christmas single inspired by the Lynn mystic Margery Kempe. The song,  'A Lynn Carol' has a happy Christmas message and a strong local connection.

Margery Kempe of Lynn was not your average mediaeval woman. She wrote the first autobiography in English, 'The Book of Margery Kempe.' It begins with an account of her traumatic first pregnancy (she went on to have 14 children) and what we would call a 'post-partum psychosis' during which she received visions of heaven and hell. Her 'Book' describes visions of devils, Jesus, God, the Holy Ghost and the Virgin Mary and how her spiritual experiences were regarded by the authorities of the time. In a revolutionary (and at the time heretical) direct personal address to God, she requested that the Holy Spirit she heard like thunder in her right ear be changed to something more homely, merry and English: a robin singing. God obliged! 
 
The idea behind the lyric is that while 'Mystic Margery' and a young modern Lynn shopgirl would probably gape at each other's lives in astonishment, they would both understand and share the experience of love. The moment in the song where the girl falls in love is as much a vision as Margery's.

Now starry angels on the tree
Grow larger in the dusk
To heaven-blue and Eden-green
And gold and reindeer-musk.

And what was heard by Margery,
The Visionary of Lynn,
Rings out on tills for checkout girls
Who hear that robin sing. 

The only gift left on the shelf
That nothing else can rise above
Includes all treasure, lasts forever,
And grows when shared with others: love. 

The Penland Phezants are a combination of Ely folk musician Andy Wall and Waywood, the Sedgeford storytelling duo made up of harpist Vanessa Wood Davies and poet Gareth Calway. They are currently seeking to add further engagements to their Hereward the Wake tour next year, which already includes two nationally acclaimed folk festivals.  The Phezants' Christmas single may be heard via the trio's Bandcamp site, from which listeners can add it to their Christmas playlists or purchase a digital download. https://thepenlandphezants.bandcamp.com





And a little robin also tells us that Margery Kempe's extraordinary story may be coming home to Lynn in 2018, 600 years after she wrote her Book there, with some musical assistance from The Phezants. Watch this space.

The Phezants' next appearance is at Wisbech Library in February, where they will perform "Bread or Blood" the story of the Littleport and Ely Riots of 1816.  (part of the Cambridgeshire Library Presents series) Album sampler here  
Phezant photoshoot by Bhas Allan


May 25, 2016

Hanseatic Characters at the Hanse Festival - script and pictures

DOIN DIFFERENT - AUDIO, VIDEO AND HISTORICAL RESOURCES
Watch a film of the live show here

Guitar plays. Brunham dances and speaks.


Brunham:
pics by Bhas Allan

Now I sit in my seemly sale,
I trot and tremle in my true throne;
As a hawk I hop in my hende hale;
King, knight and kaiser to me maken moan.
Oh God ne of good man give I never tale.
As a liking lord I leyke here alone.
Whoso brawl any boast, by down or by dale,
Those gadlings shall be ghasted and grisly groan iwis.
Whoso to the World will draw
Of God ne of good man giveth he not a hawe
Such a man by lands law
          Shall sitten on my dais.

Allow me to introduce myself.  John Brunham. The Merchant of Lynn. Mayor. 5 times. MP. twice, JP, royal agent, alderman, merchant-prince, benefactor, the uncrowned king of Bishop's Lynn-

That speech I started with is the way I would have spoken to you at the end of the fourteenth century.
I died in 1421.  Unlike my fellow parishioners William Sawtrey, my parish priest, and Margery Kempe, my daughter, I never got to heaven because I never really believed in it. 


(Harp plays whenever heaven is evoked,fades whenever the world is emphasised)

Margery Kempe was the opposite. Even on earth she was always seeing and believing heavenly things. A loving God, a beautiful Jesus, a Virgin Mary, a robin Redbreast singing merrily in her right ear which she thought was the Holy Ghost.  To my ear, the angels she heard singing were the lawless trade winds beating in the sail of my ships down there on the frantic Hanseatic quay. We are all at sea in this world. Anchorless  - and quite alone. Love is like our relationship with the Hanse - sometimes we're trading partners, sometimes we're trading rivals, occasionally we're enemies in an all out trade war. But we need each other. Grain out, herring in. Lynners living and working in Lubeck and Danzig; Germans living and working here in Lynn.  One of my greatest political achievements was helping the king sign a peace treaty after which the Germans established a permanent trading post in Lynn that they ran for 400 years. 6 centuries later, it's still standing, the only remaining Hanseatic building in England. And still good for business. Margery's side of the business was the pilgrims sailing in from all over the British isles and all over Christendom to visit Walsingham. Richeldis had an authorised vision of the Holy Virgin there in 1061. A pity none of Margery's visions was authorised because then the pilgrims would have stayed here instead and that would have been even better for business. What did they see as they sailed in? 5 dreaming friaries on the skyline and a giant harbourside cross, reassuring them that this was the official point of embarkation for Walsingham pilgrims. But they weren't the first to be drawn to Lynn's magical confluence of sky, lowland and water.  The Celts held water sacred and it is their word for water, or pool, that still names the town. Lynn. Imagine then if you will a mediaeval Liverpool on a marina twice the size of the modern Wash and with an airport for Margery's angels. In the good old age of Faith when everybody sang from the same hymn sheet. Give or take a legion of burned heretics like Smouldering Bill Sawtrey late of St Margaret's pulpit. Even in the flames of an earthly hell he followed the music of his soul here to heaven. More of him in a moment. First let's hear a bit more about Margery, some of which she doesn't emphasise or even mention in her Book.  (indicate Book)


She was born in 1373. She grew up through the economic downturn of the 1390s. She wrote the first autobiography in English-

Enter Geoffrey Chaucer, flustered, late.

Chaucer: Sorry.

Brunham: First time in Lynn?

Chaucer:  Second.  I was born here.  The name's Chaucer. Geoffrey Chaucer.

Brunham: Ah! The Father of English Poetry. I hear you’re up here researching a Merchant’s Tale?

Chaucer: A Magistrate. "Of Northfolk was this reeve of which I telle/Byside a toun men callen Baldeswelle".

Brunham: ‘Of Northfolk was this merchant whom you should sing/ In a port that men call Bishop’s Lynn.’ Take a pew.

Chaucer sits.

Brunham …in the generation after Geoffrey Chaucer was also born here. It's a town of pioneers. Margery married Lynn burgess John Kempe and had 14 children in 20 years, not counting those she lost in childbirth.  She tells us in her Book that after the first, a very difficult pregancy and labour, she started seeing things that other people couldn't. Which is why, even though she's standing here now smiling down at you from heaven, you can't see her.  -  Fortunately, owing to my position stranded  somewhere between heaven and Lynn, I can bring you an embodiment of the Flesh she tried all her life  to deny and an angel. (indicates harp) And the music of her Soul. And together they can sing you - the Ballad of Margery Kempe.

Flesh, Angel and Soul perform The Ballad of Margery Kempe.


William in prison near a bonfire with guy of William on it.


William: I am William Sawtrey, a Lollard of Lynn;
Priest of this Parish, in Death’s Door Nailed;
The Bishop Dispenser has bruised me in Limb
And broken my Spirit for two days in gaol:
(resisting) I don’t believe in Signs, Rites, Blessings;
In Prayers by the Hour, Priests, Pilgrims, Grails;
Saint-Adoration; Idolatrous bread; leprous blind Latin;
Fat church Patriarchs piling on the shillings;
In Confessions, Crusades: that ‘what Christ was the Cross is.’



Enter Bishop Dispenser, furious.

William: I do believe that what we’re for
Is Apostling and preaching and teaching the poor;
In Scripture and Christ above Roman Church Lore;
In plain English speech for our priestly office!


Bishop Dispenser: You no longer have an office. By the Statute of Heresies, 1400. (strips off William’s priestly rank) (vestments, tonsure etc)
William: Through seven steps of degradation
Reduced from magic priest to bare doorman.
(new hope) Did Christ not come this Way? Would Christ not also say:
The peasants got Word, their simple souls sang
‘When Adam delved and Eve span,
Who was then the gentleman?’
They call peasants (Bishop with him) ‘revolting’. Christ’s blessed I say!

Bishop Dispenser: Tell that to the flames. (sarcastic) Have a nice Pray! (diabolical laugh, exit)

William prays. Flesh appears with drum (fearful heartbeat).

William: (looking at bonfire, tries to pray) Oh God-





Flesh: Never mind God. You should listen to your Body, son.
(sings with drum)     (Hear it here)

I bide as a broad bursten-gut aboven on these towers,
Everybody is the better that to mine bidding is bent.
I am Mankind’s fair Flesch, flourished in flowers.
My life is with lusts and liking i-lent.
With tapets of taffeta I timber my towers.
In mirth and in melody my mende is i-ment.




Though I be clay and clod, clapped under clowrys,
Yet would I that my will the world went,
Full true I you behight
I love well my ease
In lusts me to please:
Though sin my soul seize,
I give not a mite.
(like a bad angel, spoken) Recant, William, and enjoy!
William is about to recant when-
William: I want to recant but the music of my soul won't let me.

Soul plays harp.… Devil lights the candle. As harp plays-

William: If by this act, I can light a flame,
Feed the wax of flesh to burn love's name
In the unlettered lives of Jesu's people,
The ground down to earth, the poor, the meek, the faithful,
The pain of flesh passing is well worth the candle.
It's a heaven to die for.

A musical struggle

Flesh:  drowns out the harp.


              William you’re a Lynn boy
Where’s your Norfolk grit?
Your Mind’s like a frightened girl,
You make me blooming spit.

This is Boudicca’s country,
Stand your ground:
The battered woman
Who would not lie down!

Where’s your knuckle?
Your Biblical kicks
Against the odds,
Against the pricks!?

Flex neck! I’ve got the nerve,
Meat balls! I’m gonna put you down!
Flesh pecs! I got the guts, 
Pump blood! I’ll blow you out of town! 


Soul: Flesh be quiet. Listen to your Soul!

She plays her harp. Flesh quietens. Devil with fork and Bishop circle and repeat 'toast' after William.

William:     They told me that the bread became
Christ's Body not his ghost
I said a priest’s no sorcerer.
That did it: I was toast.

They tortured me, ‘recant
Your reasoning, or roast!’ 
I said a I cannot bear your cross.
That did it: I was toast.

They told me Latin prayer and Mass
Would keep me in my post.
I said ‘an English sermon’s best.’
That did it: I was toast.

'Our sacraments are spirit gold,
The brassy bishops boast’
I - ‘all that gilders isn’t God!’
That did it: I was toast.

They Credo-bashed and then defrocked
My body to their post.
I answered them with balaam's ass.
That did it: I was toast.

They told me that the bread became
The hostage not the host
I said ‘Man needs the bread as well.’
That did it: I was toast.

They burn me like a fallen Eve,
A holy without smoke,

The musical scream. Harp and bodhran contend. Bishop mimes flames. Devil exults. 

Soul: Flesh be quiet!

William:    
I climb up like a morning star
Of love and faith and hope.

William in crucifixion pose looks at audience.

End